Posts Tagged ‘loss’

for April 6

April 6th, 2010

for April 6

Sometimes in my dreams she loved me.
Faces are hard to invent, especially after
a long day, so I couldn’t tell you the shape
of her nose, how little or how much it begged
to be kissed. I remember the sloped angles
of her hips, the tripwire-strength
of her arms as they wrapped around me.
Love is a surrender and I surrendered
to that touch, spiderweb soft, and to her smell.
When I both dreamed and dreamt she loved me,
I brewed the coffee extra strong to stop
my nose from shutting off.

Advice for Haitian Boys

March 16th, 2010

Advice for Haitian Boys
“Something like 40 to 50 percent of the population at Port-au-Prince is kids.”

Girls’ skirts will open for nothing, for a song
just loud and long enough to minus out
the scratch of zipper teeth and second thoughts.
Don’t bother with names. By morning, you should be gone.

At funerals, drink rum you cannot afford.
Cry, if you need to. Piss circles around the bodies.
Pummel anyone who questions your right to grieve.
There’s no excuse to outsurvive the dead.

And sometimes loss comes vaster. Whole cities fall,
bloodlines sever. There will always be some stranger
to vacuum up the dust and pour paint thinner
on the stains. You won’t have to do a thing at all.

They’re wrong. A man’s reach should not exceed his grasp.
Don’t plan ahead, don’t think things through. Don’t ask.

Advice for Haitian Boys

February 22nd, 2010

Advice for Haitian Boys
“Something like 40 to 50 percent of the population at Port-au-Prince is kids.”

Girls’ skirts will open for nothing, for a song
just loud and long enough to minus out
the scratch of zipper teeth and second thoughts.
Don’t bother with names. By morning, you should be gone.

When brothers die, drink more rum than you can afford.
Cry, if you need. Piss circles around the bodies
and brawl anyone who abuses your right to grieve.
There are no excuses to outsurvive the adored.

Sometimes loss comes vaster. Whole cities fall,
bloodlines sever. There will always be some stranger
to shoo away the dust and flood paint thinner
on the stains. You won’t have to do a thing at all.

O that a man’s reach should not exceed his grasp.
Don’t plan ahead, don’t think it through. Don’t ask.

My Calling rewrite

November 16th, 2009

My Calling

“you lie,” he cried
and ran on.
–Stephen Crane

It’s the knowing that kills me.
Not the knowledge of distant things
that is too slowly unhidden.
Journey
is unavoidable
in lives like these.

We count the nights
like pomegranate seeds.
I can tell by the weight
too many are missing.
I won’t survive
even as an inkling.

What else then
but crane my neck
toward the sky?

BaekJul BulGul (Indomitable Spirit) original draft

November 16th, 2009

BaekJul BulGul (Indomitable Spirit) original draft

At least we have the dirt. We could
ball it together like table
crumbs and hold it under our tongues
until the soil separates
from the ore of KeumGang San. That way
we’d coat our throats in diamond dust.

They stopped teaching Korean in
Korean schools today. Something
as simple as annyoung
haseyo said in the hallways can
earn a demerit. They’re holding
red pens against our children’s throats
and it’s as good as their bayonets.
When Yeong-Sun calls me otochan
I want to smack her in her mouth
so hard she spits out blood hotter
than the rising sun, or feed her strips
of kimchi one by one. The sour
will preserve her dying Choson tongue.

The missioners taught us metaphor.
Their pahng was so tough it may as well
have been flesh, won’t melt like bahp. No –
When they taught us how HaNaNim said, Let
there be bit but we were still sitting in
the dark, windows boarded against
the street, well, that was metaphor.
God ga ra sa dae light i ssue ra.
Our throats grew warm with the words we’ve saved
since morning, since our daughters were born
into this. I swear Yeong-Sun looks like
a yudeung or a lighthouse when she
recites any passage in Korean.

Sometimes, after prayer, they ask us
what we believed before we knew Christ.
Their voices are soft so we could tell
they’re being polite, won’t turn around
and burn our books on Palgwe or Taeguk.
But still, we’re tired of philosophy
and reasoning. We start to sing:

Arirang, Arirang, Arariyo,
Arirang gogaero neomeoganda.
Nareul beorigo gasineun nimeun
simnido motgaseo balbyeongnanda.

There’s silence. We’re all closed eyes, living
in our own Koreas. Someone brave
opens his eyes first; someone braver
says this dirt will never be enough.

BaekJul BulGul (Indomitable Spirit)

November 15th, 2009

BaekJul BulGul
(Indomitable Spirit)

At least we have the dirt. We could
ball it together like table
crumbs and hold it under our tongues
until the soil separates
from the ore of KeumGangSan. That way
we’d coat our throats in diamond dust.

They banned speaking Korean in
Korean schools today. Even
saying AhnNeongHaSeYo is
enough to flunk you out. They’re holding
red pens against our children’s throats
and it’s as good as their bayonets.
When YeongSun calls me otochan
I want to smack her in her mouth
so hard she spits out blood hotter
than the rising sun, or feed her strips
of KimChi one by one. The spice
will preserve her dying ChoSon tongue.

Westerners had taught us metaphor.
Their Ppang was so tough it may as well
have been flesh, won’t melt like Bahp. No –
When they taught us how HaNaNim said, Let
there be Biht but we were still sitting in
the dark, windows boarded against
the street, that was metaphor. God-Nimi
GaRaSaDae light ItSsueRa
HaSheotDa. That word, “Biht”, it glistened
beneath our throats as if we were
YuDeung or beacons for lost Koreans.

The missionaries asked us once
what we had worshiped before Christ came.
They wouldn’t raze BulGukSa even
if we drew them a map but we
were so tired of philosophy and reason
that all we had strength to do was sing.

AhRiRang, AhRiRang, AhRaRiYo,
AhRiRang, GoGaeRo, NeoMeoGanDa.
NaReul BeoRiGo GaSinEun NimEun
SimNiDo MotGaSeo BalByeongNanDa.

Silence. We’re all closed eyes, living
in our own Koreas. Someone brave
opens his eyes first; someone braver
says this dirt will never be enough.

Annabel’s Reply to the Poet

October 14th, 2009

Annabel’s Reply to the Poet

The angels you slandered surround us now
in this kingdom you thought you’d never see.
So convinced that beauty outlives death
you would rather remember my body than me.
But finally face to face, you must know
there was madness in your poetry.

If I was a child than it was not love
for I loved with a love that was mercury.
You mistook a playdate for a tryst.
It was you and your dear Annabel Lee
who entwined their destinies sitting there
by your vast kingdom, by your vast sea.

It was circumstance that I died so young,
by no means an act of jealousy
perpetrated by seraphim.
They have worthier things than Annabel Lee.
They live above, in the clouds, by God’s side,
the side where lives now both you and me.

If you ask any man if he could relate
he’ll submit, for they’ve all lost their Annabel Lees
to cholera or syphilis
or a window opened against the lee
to remind her in her sleep that yes
she lives in a kingdom by the sea.

You were partly right. The angels were stunned
to hear “a boy far younger than we,
indeed, far more foolish than we”
who could sing better than the whole starry choir.
They conspired with demons down under the sea,
whose ears were still ringing with Orpheus’s lyre,
to kill me and retire in the song of your plea.

It was not my eyes bearing down like stars.
The moon never looked a little like me.
Really it was your madness — your madness — up there
etching epics for what used to be,
portending how you were some day meant
to be heard on the other shore of the sea,
to orchestrate the sounding sea.

[a heel left]

September 21st, 2009
[a heel left]
   after Creeley

   A heel left
next to a tree
like used
tissues or cigarettes
that aren't litter if left
in dirt.
   Not toppled
to its side nor capsized
heel over head,
it sits straight
as a dachshund told to
wait, heel.
   It's turned perfectly
north.  The soil
about it shows no tracks
of any shoe, left
or right.  There was
no foot inside;
the wearer slipped
back and away, -- first heel
then toes, pointed --
pinched the outsole, and placed
it aside.
   It's a right
since the toes
start off high then
curve in that
way.  The medial
and insole are unslumped as
glass (the lost
slipper) yet are,
perhaps, too hot
to touch; the leather
persuaded pliable
by the sun.  A buckle,
single,
holds a strap mockingly
across the vamp.
   Without a back, this heel
is a mule
held on without bands,
only the push
of a walking foot, constant
and forward.  Behind it
crawl 2 spines of smoke.
   The right more curled, the left
17
minutes taller.

Latent Evidence of Tim Reilly

January 22nd, 2009

It’s the details I’m blind about:
how long ago, who saw first,
which side of your bed,
percocet or pocket knife,
what did you leave behind?

I won’t invent your story
though I know so little
it’s embarrassing.
The ponytail and threadbare plaid said
you were an easy friend
to make. The poetry was B-rated
but it was ours.
Halloweens were when
I saw you the most alive.

You confided in me once,
out of convenience or trust.
It was the weight,
the luckless go nowhere dates,
the surgery that might
have killed you anyway.

I won’t pretend I know
your tell tale heart,
the pounding that pushed you.

I’ll leave the King of Cups unshuffled.

Pica

January 14th, 2009

for Tim Reilly

It’s the details I’m blind about:
how long ago, who heard,
which corner of your room, percocet or pocket knife,
what did you leave behind?

I won’t invent your story
and what scarce I still have
is embarrassing to admit.
The ponytail and threadbare plaid said
you were an easy friend
to make. The poetry –
I can’t remember; we were all
bad poets back then.
Halloweens had you
alive.

you confided in me once,
out of convenience or trust.
Your body was your betrayer;
it was the weight, the surgery
which might have killed you anyway.

Ignorance
would be trying to understand
your tell tale heart,
the pounding that pushed you.

I’ll leave the King of Cups unshuffled.